The Sounds of Metal: A Proposal for the Interpretation of Extreme Metal as Music

Publikation: Forskning - peer reviewKonferencebidrag i proceedings

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In Part One, it is suggested that sounds that are heard as music – rather than just as sounds simpliciter – are sounds that are heard counterfactually. Counterfactual hearing is the apprehension of sounds as if they were something else, something that in itself is not a sequence of sounds. In Part Two, I propose that this framework allows for at least a theoretical distinction between the way in which extreme metal – e.g. black metal, doom metal, funeral doom metal, death metal – relates to its sound as music and the way in which much other music may be conceived of as being constituted by sound.
OriginalsprogEngelsk
TitelModern Heavy Metal: Markets, Practices and Cultures : International Academic Research Conference, June 8–12, 2015, Helsinki, Finland PROCEEDINGS
RedaktørerToni-Matti Karjalainen, Kimi Kärki
Vol/bind4
Udgivelses stedHelsinki
UdgiverAalto University
Publikationsdato2015
Sider374-382
ISBN (trykt)978-952-60-6217-4 (Printed), 978-951-29-6174-0 (PDF), 1797-318X (Printed)
ISBN (elektronisk)1797-318X
StatusUdgivet - 2015
BegivenhedHeavy Metal: Markets, Practices and Cultures - Helsinki, Finland

Konference

KonferenceHeavy Metal: Markets, Practices and Cultures
LokationAalto University (School of Business)
LandFinland
ByHelsinki
Periode08/06/201512/06/2015
SerieCrossover
Nummer4/2015
  1. Heavy Metal: Markets, Practices and Cultures

    Aktivitet: Foredrag og mundtlige bidragKonferenceoplæg

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